Hustler Filme Pressestimmen
Als Destiny ihren neuen Job als Stripperin beginnt, nimmt die erfahrene Ramona Vega sie unter ihre Fittiche. Die beiden werden beste Freunde. Als während der Finanzkrise die Kundschaft ausbleibt, drehen sie den Spieß um und beklauen die reichen. Hustlers ein Film von Lorene Scafaria mit Constance Wu, Jennifer Lopez. Inhaltsangabe: Die Stripperinnen Destiny (Constance Wu), Ramona Vega (Jennifer. Hustlers ist ein US-amerikanisches Krimi-Filmdrama mit Elementen einer schwarzen Komödie aus dem Jahr Als Regisseurin und Drehbuchautorin. "Hustler", das bedeutet im Englischen so viel wie Abzocker. Genau das tun die Stripperinnen im Film "Hustlers". Bereits im September hatte er. Destiny scheint in Hustlers anfangs die naive Außenseiterin zu sein, die von der weitaus gerisseneren Ramona lernt, wie der Laden und das.
Hustlers. Kinostart: zum Trailer. Krimikomödie nach realem Vorbild, in der ab 12; Produktionsland: USA; Filmverleih: Universum Film (Concorde). Komplette Handlung und Informationen zu Hustlers. Dorothy (Constance Wu) hat Schwierigkeiten, sich finanziell über Wasser zu halten. Ihre. Film: Hustlers () - techfil.se: Filme, Kinos, Kinoprogramm, 3D, Charts, DVD, Video, Startdaten, Releases, Trailer und Bilder. Regionalisiert für die ganze. Film Hustlers: Eine Gruppe Stripperinnen nimmt nach dem Börsencrash ihr Schicksal selbst in die Hand. Film: Hustlers () - techfil.se: Filme, Kinos, Kinoprogramm, 3D, Charts, DVD, Video, Startdaten, Releases, Trailer und Bilder. Regionalisiert für die ganze. Hustlers. Kinostart: zum Trailer. Krimikomödie nach realem Vorbild, in der ab 12; Produktionsland: USA; Filmverleih: Universum Film (Concorde). Komplette Handlung und Informationen zu Hustlers. Dorothy (Constance Wu) hat Schwierigkeiten, sich finanziell über Wasser zu halten. Ihre. Auf der Suche nach einem Freund fürs Ende der Welt. Positive Kritik nicht gerechtfertigt. Alle Filmbesprechungen. User folgen 2 Click Lies die 23 Kritiken. Wai Ching Ho. Synopsis New York, kurz vor dem grossen Finanz-Crash. Lindner patrik drückt aus, insomia sie nie verstehen konnte, wie die Eltern von Destiny sie verlassen haben konnten.
Hustler Filme VideoHUSTLERS Trailer German Deutsch (2019) Charlie finds Eddie at Final, fear the walking dead flight 462 agree and tries to persuade him to go back out on the road. December 20, Justin Chang, writing for the Los Angeles Timesdescribes the film as "brassy and invigorating" stating that "Scafaria's clear-eyed grasp of that distinction that makes Hustlers more than just a girls-gone-wild cautionary tale, a peekaboo parade or a hypocritical witherspoon ungeschminkt reese of the two. Swallowed My Stepbrothers Fat Shaft. Retrieved December 29,
Retrieved October 21, Harper's Bazaar. Oprah Magazine. March 19, Retrieved March 28, Retrieved April 24, Retrieved May 24, Retrieved October 4, New York.
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The Guardian. It rules". Retrieved November 28, December 9, The New York Times. Retrieved December 10, Retrieved December 11, September 3, October 26, Entertainment Weekly.
Retrieved December 14, National Film Academy. December 4, Retrieved December 29, Retrieved December 31, Area Film Critics Association December 9, Film Critics Awards ".
PR Newswire. Retrieved December 21, Chicago Film Critics Association. December 12, Archived from the original on December 12, Retrieved December 12, December 14, Seattle Film Critics Society.
The Indianapolis Star. Retrieved December 16, Focus Daily News. Retrieved December 27, Retrieved December 17, The Irish Times.
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September 7, December 2, Best Feature. Best Supporting Actress. Best Adapted Screenplay. Best Motion Picture, Comedy or Musical.
Best Supporting Actress — Motion Picture. January 12, January 28, The Hustler was a major critical and popular success, gaining a reputation as a modern classic.
Its exploration of winning, losing, and character garnered a number of major awards; it is also credited with helping to spark a resurgence in the popularity of pool.
Small-time pool hustler "Fast Eddie" Felson travels cross-country with his partner Charlie to challenge the legendary player "Minnesota Fats".
He sends out a runner, Preacher, to Johnny's Bar, ostensibly for whiskey, but really to get professional gambler Bert Gordon to the hall.
Fats agrees to continue after Bert labels Eddie a "loser". At their hotel later, Eddie leaves half of the remaining stake with a sleeping Charlie and leaves.
Eddie stashes his belongings at the local bus terminal, where he meets Sarah Packard, an alcoholic who is supported by her father, attends college part-time, and walks with a limp.
He meets her again at a bar. They go back to her place but she refuses to let him in, saying he is "too hungry".
Eddie moves into a rooming house and starts hustling for small stakes. He finds Sarah again and this time she takes him in, but with reservations.
Charlie finds Eddie at Sarah's and tries to persuade him to go back out on the road. Eddie refuses and Charlie realizes he plans to challenge Fats again.
Eddie realizes that Charlie held out his percentage and becomes enraged, believing that with that money he could have rebounded to beat Fats.
Eddie dismisses Charlie as a scared old man and tells him to "go lie down and die" by himself. Afterward, Bert tells Eddie that he has talent as a pool player but no character.
Eddie humiliates a local pool shark , exposing himself as a hustler, and the other players punish him by breaking his thumbs. As he heals, Sarah cares for him and tells him she loves him, but he cannot say the words in return.
Bert, Eddie, and Sarah travel to the Kentucky Derby , where Bert arranges a match for Eddie against a wealthy local socialite named Findley.
The game turns out to be three-cushion billiards , not pool. When Eddie loses badly, Bert refuses to keep staking him.
Sarah pleads with Eddie to leave with her, saying that the world he is living in and its inhabitants are "perverted, twisted, and crippled"; he refuses.
Bert arrives first and subjects Sarah to a humiliating sexual encounter. Eddie arrives back at the hotel to learn that she has killed herself.
He wins game after game, beating Fats so badly that Fats is forced to quit. Bert demands a share of Eddie's winnings and threatens that Eddie will be injured unless he pays.
But Eddie says that if he is not killed he will kill Bert when he recovers; invoking the memory of Sarah, he shames Bert into giving up his claim.
Instead, Bert orders Eddie never to walk into a big-time pool hall again. Eddie and Fats compliment each other as players, and Eddie walks out.
The Tevis novel had been optioned several times, including by Frank Sinatra , but attempts to adapt it for the screen were unsuccessful.
Director Rossen's daughter Carol Rossen speculates that previous adaptations focused too much on the pool aspects of the story and not enough on the human interaction.
Rossen, who had hustled pool himself as a youth and who had made an abortive attempt to write a pool-themed play called Corner Pocket , optioned the book and teamed with Sidney Carroll to produce the script.
The film crew built a dining area that was so realistic that confused passengers sat there and waited to place their orders.
All of Gleason's shots were his own; they were filmed in wide-angle to emphasize having the actor and the shot in the same frames.
Early shooting put more focus on the pool playing, but during filming Rossen made the decision to place more emphasis on the love story between Newman and Laurie's characters.
For example, when Eddie is playing Findley, Eddie is positioned below Bert in a two shot but above Findley while still below Bert in a three shot.
When Sarah enters the room, she is below Eddie in two-shot while in a three-shot Eddie is still below Bert. When Eddie is kneeling over Sarah's body, Bert again appears above him but Eddie attacks Bert, ending up on top of him.
Eddie finally appears above Bert in two-shot when Eddie returns to beat Fats. The Hustler is fundamentally a story of what it means to be a human being, couched within the context of winning and losing.
The film was also somewhat autobiographical for Rossen, relating to his dealings with the House Un-American Activities Committee.
A screenwriter during the s and '40s, he had been involved with the Communist Party in the s and refused to name names at his first HUAC appearance.
Ultimately he changed his mind and identified friends and colleagues as party members. Similarly, Felson sells his soul and betrays the one person who really knows and loves him in a Faustian pact to gain character.
Film and theatre historian Ethan Mordden has identified The Hustler as one of a handful of films from the early s that re-defined the relationship of films to their audiences.
This new relationship, he writes, is "one of challenge rather than flattery, of doubt rather than certainty. The Hustler had its world premiere in Washington, D.
Prior to the premiere, Richard Burton hosted a midnight screening of the film for the casts of the season's Broadway shows, which generated a great deal of positive word of mouth.
The website's critical consensus reads, "Paul Newman and Jackie Gleason give iconic performances in this dark, morally complex tale of redemption.
Variety praised the performances of the entire main cast but felt that the "sordid aspects" of the story prevented the film from achieving the "goal of being pure entertainment.
Stanley Kauffmann , writing for The New Republic , concurred in part with this assessment. Kauffmann strongly praised the principal cast, calling Newman "first-rate" and writing that Scott's was "his most credible performance to date.
While he found that the script "strains hard to give an air of menace and criminality to the pool hall" and also declares it "full of pseudo-meaning", Kauffmann lauds Rossen's "sure, economical" direction, especially in regard to Gleason who, he says, does not so much act as "[pose] for a number of pictures which are well arranged by Rossen.
A number of observers and critics have suggested that this Oscar was in belated recognition for his performance in The Hustler.
In the decades since its release, The Hustler has cemented its reputation as a classic. Roger Ebert , echoing earlier praise for the performances, direction, and cinematography and adding laurels for editor Dede Allen , cites the film as "one of those films where scenes have such psychic weight that they grow in our memories.
In June , AFI released its " Ten top Ten "—the best ten films in ten "classic" American film genres—after polling over 1, people from the creative community.
The Hustler was acknowledged as the sixth best film in the sports genre. The Hustler is credited with sparking a resurgence in the popularity of pool in the United States, which had been on the decline for decades.
Mosconi claimed in an interview at the time of the film's release that the character of Minnesota Fats was based on Wanderone, who at the time was known as "New York Fatty".
Wanderone immediately adopted the Minnesota Fats nickname and parlayed his association with the film into book and television deals and other ventures.
Author Walter Tevis denied for the rest of his life that Wanderone had played any role in the creation of the character.
From Wikipedia, the free encyclopedia. Theatrical release poster. Main article: The Color of Money.
The Numbers. Retrieved April 14, The Galveston News. Chicago Sun-Times.